Physical modeling simulation of real analogue hardware, achieved by the adoption of the Advanced Component Simulation (ACS) approach – oscillators, filters, envelopes (,…) are built preserving their original architecture, featuring all the micro-instabilities and imperfections of the analogue technology

Full 64-bit processing accuracy for every single aspect of the simulation

An all-in-one complete setup : analogue synthesizer + analogue sequencer + trancegate effect + insert/master effects

Two aliasing-free analogue modeled oscillators proving the same capacitors’ charging/discharging responses as found on the original analogue circuits, featuring a continuous waveform selection mode (morphing) between triangle, sawtooth, square, pulse (including pulse width modulation)

A legendary 4-pole resonant low pass ladder filter (modeled by the adoption of the topology-preserving transform / zero-delay feedback approach) proving all the original non-linearities, frequency responses (also at extreme modulation scenarios), self-oscillation, soft-clipping and overload control

Two 4-stage (ADSR) envelope generators proving the same capacitors’ charging/discharging responses as found on the original analogue circuits

Extended modulation possibilities, including a white noise generator, a sample-and-hold source and a multi-waveform low-frequency-oscillator (LFO) featuring the original frequency range (from 0.2 Hz up to 500 Hz), allowing for advanced frequency modulation designs

True analogue polyphony. In addition to a classic monophonic mode, polyphony (4-voices) is achieved by simulating four fully-independent synthesis systems (devices) separately, as expected in the original hardware specification extension. Each of the four independent voices (devices) can also be tuned/detuned separately for an even more deep and rich polyphonic sound

Analogue components selector. Choose what kind of components to use inside LittleOne : select ultra-stable components, phase-locked oscillators (like in most recent analogue synthesizers) or select aged, much more unstable components and disable the phase-lock of the main oscillators

Accede all the advanced features like the alternative modulation sources/destinations, set the velocity to control the filter cutoff, extend the pitch bend range, select the MIDI input channel and much more – all from the operating system led display

Including XSQ16A unit (rack), a monophonic 16-step analogue sequencer

Including GAT3D unit (rack), a 16-step trancegate effect

Including two insert/master effects slots with the possibility to choose :

• X-TREME unit (rack), an accurately modeled, ground-shaking tube distortion effect

• FLANG-R unit (rack), an expressive stereo flanger effect

• CHOR-S unit (rack), an expressive stereo chorus effect

• D-LAY unit (rack), a tempo-synced stereo delay effect

• REEVERB unit (rack), a resonator-based electronic reverb effect

Including a huge 400+ ready-to-use factory presets collection covering all styles, from vintage analogue leads and basses to frequency modulation sequences, contemporary cutting-edge electronic motion pads, trance stabs, complex psychoacoustic constructions, percussive and special sound effects. All the original Little Phatty¹ factory patches (Stage Edition and Tribute Edition) are also included

Additional presets/patches available as commercial expansions

MIDI automation, with CC# mapping following the original Little Phatty¹ MIDI CC# specs

Support for sample rates from 44.1 kHz up to 192 kHz

Available in multi-size GUI resolutions