Sound Dust ODDULAR KONTAKT

July 3, 2018 0

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Sound Dust ODDULAR KONTAKT

A beautiful throb monster, a one of a kind modulation leviathan. Pulsational rapture is only ever a few mouse clicks away.

ODDular is a hybrid sample instrument based around 3 specially coded beat synced super LFOs, a complex but very simple to use modulation matrix and an innovative user interface.

ODDular borrows some of the more useful concepts of modular synthesis to create otherworldly and impossible sounds that are actually musically useful and don’t require a complex nest of cables to produce.

The sample engine is loaded with 1.5GB of multi samples from rare and sought after classic synths – EMS VCS3 Putney, Oberheim Xpander 6, Siel Orchestra and great sounding synth wildcards – Moog Dfam, Moog Voyager, Technics WSA1, Make Noise O-Coast and Nord Wave.

If you every dreamed of owning a polyphonic BPM syncable VCS3 (who wouldn’t) or need to quickly create a complex rhythmic underscore for ‘John Carpenter meets the Berlin Minimalists’ ODDular is definitely for you.

15 Kontakt .nki instruments – 14 with multi-sampled synths + 1 empty instrument for loading your own samples
210 snapshots…but ODDular is all about tweaking really, these are just to get you started
1.5GB download

LFOs (Low frequency oscillators – the coloured ones)

3 super dooper flexible LFOs
Adjustable beat-synced time units (32nd to whole note, with triplets) plus free running
8 select-able basic shapes + remix function to combine with other shapes for really complex LFO shapes
Shift and offset for shape adjustment
LFOs can modulate each others speed

ENVELOPE FOLLOWER (the pink one)

Tracks overall volume of the instrument
Controls for attack, fade, boost and follow

ARPEGGIATOR

Chord and 10 other arp modes
Adjustable step lengths from 1 to 64
Adjustable step rate from 1/128 to whole note
with triplet variations.
Swing, decay, octave and mode control

MASTER CLOCK

On, off and reset controls
Clock divider – effects speed of all LFOs
LFO overload mode select – 3 modes to choose how modulation behaves when maximum value is reached
ODDulation – choose to reset or randomise modulation destinations
ODD LFO – reset or randomise LFO speed and shapes

SAMPLE ENGINE

Volume attack, decay, sustain and release control
Low pass and high pass filters
EQ – low, mid and high bands
Amp simulator – tone, drive and bottom controls
Tape drive
Device – a selection of esoteric impulse responses (includes speakers, amps, vinyl and of course the EMS)
Room – 17 bespoke convolution reverbs, clouds, rooms, springs, plates and ghosts
Delay send

MODULATION DESTINATIONS…