OwnHammer Studio Mix Collection
The 112 DLX is based on a Mojotone Narrow Panel Deluxe 1×12 cabinet. The 212 BOG is based on a Bogner Shiva open back 2×12 cabinet. The 412 MAR is based on a 1970’s Marshall “checkerboard” 1960B 4×12 cabinet.
THE SPEAKERS
* – included in 112 and 212 cabinets ** – included in 412 cabinet *** – included in all cabinets
417-H*** is based on a 1977 Altec 417-8H.
ALN-BLU** is based on a Celestion Alnico Blue.
ALN-SLV*** is based on a 1969 “pre-Rola” Celestion Alnico Silver.
CL-80** is based on a Celestion Classic Lead 80.
CL-OR* is based on a 1979 Celestion G12-80; the original “Classic Lead”.
D-120*** is based on an early 1970’s JBL D120F.
ER-24* is based on a 1971 Cerwin Vega ER-124.
EV-L** is based on an Electro Voice EVM-12L Classic.
EV-S*** is based on a late 1980’s Electro Voice EVM-12S.
EV-SRO* is based on a vintage Electro Voice SRO-12.
FN-42*** is based on a 1977 Fane 122142.
G65-OR*** is based on a 1982 Celestion G12-65.
G65-RI** is based on a Celestion G12-65.
H-BB-55*** is based on a 1977 Celestion G12H “black back” with 55 Hz cone.
H-PR-55*** is based on a 1969 “pre-Rola” Celestion G12H with 55 Hz cone.
H-RI-55** is based on a Celestion “Heritage” G12H with 55 Hz cone.
H-SB-75** is based on a Scumback H75.
J12-BB** is based on a Jensen Jet Alnico Blackbird.
J12-CN*** is based on a 1964 Jensen C12N.
J12-CR* is based on a 1960’s Jensen C12R.
J12-PN** is based on a Jensen P12N.
J12-PQ*** is based on a 1959 Jensen P12Q.
J12-PR*** is based on a 1961 Jensen P12R.
K-100** is based on a Celestion G12K-100.
L-BB*** is based on a 1978 Celestion G12L “black back”.
M-BB-55*** is based on a 1977 Celestion G12M “black back” with 55 Hz cone.
M-CB-75** is based on a Celestion G12M-65 “cream back” with 75 Hz cone.
M-PR-55*** is based on a 1971 “pre-Rola” Celestion G12M with 55 Hz cone.
M-RI-75** is based on a Celestion “Heritage” G12M-20 with 75 Hz cone.
M-SB-75** is based on a Scumback M75.
SUN-TRN* is based on a 1970’s Sunn Transducer.
T75-RI** is based on a Celestion G12T-75.
T75-SS*** is based on a 90’s “skunk stripe” Celestion G12T-75.
V30-CH** is based on a Chinese made Celestion Vintage 30.
V30-EN** is based on an English made Celestion Vintage 30.
MICS AND MIXES – 112 DLX AND 212 BOG CABINETS
CND-70 is based on a Microtech Gefell UMT70S large diaphragm condenser microphone.
DYN-57U3 is based on a vintage Shure Brothers Unidyne III SM57 dynamic microphone.
DYN-88 is based on a Beyerdynamic M88 dynamic microphone.
RBN-92 is based on an AEA R92 ribbon microphone.
RBN-121 is based on a Royer R121 ribbon microphone.
RBN-160 is based on a Beyerdynamic M160 ribbon microphone.
Rear (112 only) is based on a rear placed Microtech Gefell UMT70S large diaphragm condenser microphone.
Room is based on an ambiently placed AEA R92 ribbon microphone.
Live Modern is a custom mix of the DYN-88, RBN-92, RBN-121, and Room mic options.
Live Vintage is a custom mix of the RBN-92, RBN-121, RBN-160, and Room mic options.
Median is a custom mix of the CND-70, RBN-92, RBN-160, and Room mic options.
SP is a custom mix created by Scott Peterson.
Studio Modern is a custom mix of the CND-70, DYN-57U3, RBN-121, and Room mic options.
Studio Vintage is a custom mix of the CND-70, RBN-92, RBN-121, and Room mic options.
MICS AND MIXES – 412 MAR CABINET
CND-70 is based on a Microtech Gefell UMT70S large diaphragm condenser microphone.
DYN-57 is based on a Shure SM57 dynamic microphone.
DYN-421 is based on a Sennheiser MD421 dynamic microphone.
RBN-121 is based on a Royer R121 ribbon microphone.
Room is based on an ambiently placed Microtech Gefell UMT70S large diaphragm condenser microphone.
Live Modern is a custom mix of the DYN-57, DYN-421, and RBN-121 mic options.
Live Vintage is a custom mix of the CND-70, DYN-57, DYN-421, and RBN-121 mic options.
Median is a custom mix of the CND-70, DYN-57, DYN-421, and RBN 121 mic options.
SP is a custom mix created by Scott Peterson.
Studio Modern is a custom mix of the DYN-57 and RBN-121 mic options.
Studio Vintage is a custom mix of the CN-70, DYN-57, and RBN-121 mic options.
Wave audio format IR’s (.wav) are compatible with convolution reverb type loaders in recording software and outboard hardware units and are provided in:
24 bit resolution
44.1, 48, 88.2, and 96 kHz sample rates
mono channel count
minimum phase transformed
200 and 500 ms decay tail lengths
For added convenience, .wav files appropriate for conversion or submission to the following platforms have been separated out and designated within the library structure:
Atomic Amplifire
Fractal Audio Systems hardware/software
Kemper Profiling Amp
Line 6 Helix
Two Notes hardware
KNOW YOUR PLATFORM’S FILE FORMAT!
THIS LIBRARY CONTAINS .WAV FORMAT FILES ONLY.
HOMEPAGE http://bit.ly/2zu5GJg