Kirk Hunter Studios Chamber Strings Adaptive KONTAKT

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Kirk Hunter Studios Chamber Strings Adaptive KONTAKTChamber Strings Adaptive
Recorded at the First Presbyterian Church, Santa Monica where A-list Los Angeles-based orchestras record and perform.

– Stunning chamber sound; amazing playability.
– Incredibly flexible “ensemble’ patches.
– For “ensemble” patches, each section can contain ANY short or long articulation (spiccato, staccato, detache, pizzicato, col legno, Bartok pizzicato, sustain, tremolo, major trill, minor trill).
– Silky smooth slurred or bowed legato.
– Flexible legato choices: Polyphonic, non-polyphonic, intense, mild, bowed.
– Vibrato and dynamics can “chase” velocity smoothly EVEN on held notes.
– Go from punchy and aggressive marcatos to silky smooth legatos with no keyswitching or controllers.
– Two different portamento styles.
– Extensive modeling to conserve the memory footprint.
– Flexible vibrato control.
– Added automation page for controlling such things as articulations, vibrato, dynamics and more via MIDI CC.

FEATURES

Fully Integrated Ensemble Patches
Fully Separated Individual Patches
All have the same features, so there is no guesswork when loading different patches

Chamber:
– 6 Violins
– 4 Violas
– 4 Cellos
– 2 Basses

For Each Section:
– Section Mixer
– Purge/Load
– Legato on/off
– Attack control whether via velocity or slider
– Section high and low note range control
– Short articulation selection
– Long articulation selection
– Portamento control.
– Short articulation velocity sensitivity
– Tighten/Broaden Short articulation
– Bow-change samples on/off
– 8va, 8vb for violins and basses
– Vibrato control
– Solo/mute

Global Control (Home Page):
– “Space” presets – The room style of the orchestra
– “Touch” presets – Choose how you want the instrument to respond to your playing style
– “Speed” presets – Choose the response attack
– “Info” screen showing current keyswitch map and velocity-chasing for vibrato and dynamics
– Release time
– Sordini
– Sul Tasto
– Reverb
– Dynamics
– Automation screen
– Legato style
– Attack control whether via velocity or slider
– Short articulation selection
– Long articulation selection
– Tighten/Broaden Short articulation
– Bow-change samples on/off
– 8va, 8vb for violins and basses
– Vibrato control

Mixer Page:
– Section note mixer – independent note level control.
– Short and Long Articulation Choosers
– Short and Long Articulation Volume
– Velocity control for short articulations.
– Release samples on/off.
– 3-Band Parametric EQ
– Dynamics slider.
– Dynamics velocity sensitivity
– Dynamics chase velocity on/off
– Expression velocity sensitivity
– Reverb and Room Size
– Release samples volume.
– Detailed vibrato controls
– Microphone Mixer (Near, Mid, Far)
– Section Mixer for Violins, Violas, Cellos and Basses (Level, Pan, Purge)

Under the Hood:
– Round Robin is randomized so that you never hear a “loop” effect
– Samples of the church ambience are carefully mixed in for a very natural sound

Features that can be assigned to a controller:
– Instrument volumes (4)
– Legato on/off for each section (4)
– Velocity attack on/off for each section or globally (5)
– Velocity attack sensitivity for each section or globally (5)
– Velocity sensitivity for each section’s short samples (4)
– Short articulation duration for each section (4)
– Bow change samples on/off for each section (4)
– 8va, 8vb for violins and basses (2)
– Vibrato amount for each section or globally (5)
– Solo/Mute for each section (8)
– Short samples global volume (1)
– Long samples global volume (1)
– Release sample on/off (1)
– Reset note mixer for each section (4)
– EQ high frequency (1)
– EQ mid frequency (1)
– EQ low frequency (1)
– EQ high frequency gain (1)
– EQ mid frequency gain (1)
– EQ low frequency gain (1)
– Velocity Sensitivity (1)
– Dynamics velocity chasing (1)
– Expression Sensitivity
– Added Reverb
– Reverb Size
– Room Size
– Release samples volume
– Vibrato control via controller or velocity switch for each section or globally (5)
– Close, mid and far mic levels (3)
– Panning for each section (4)
– Short Articulation changes for each section (4)
– Dynamics (1)
– Long Articulation changes for each section (4)
– Portamento style (1)