Best Service ERA II Medieval Legends v1.3 for Best Service Engine

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ERA II Medieval Legends – a wonderful collection of knights, princesses, dragons and their forgotten fantasy world …

ERA II takes you on a distant journey into the medieval world, deeper than ever. Eduardo Tarilonte, creator of award-winning libraries such as Forest Kingdom, Desert Winds, Epic World and Shevannai, presents the considerably expanded version of the first edition of ERA Medieval Legends. ERA II offers an even more comprehensive selection of historic instruments. This library holds the perfect instruments for film- and television soundtracks with historical background, fantasy-games as well as folk-music, medieval-rock and related compositions.

For ERA II, Eduardo Tarilonte created 25 new instruments, resulting in a total number of over 70 instruments, all recorded in highest detail and quality. In addition, there is a huge amount of soundscapes available – all ready to use within the advanced Engine-Player and its generously expanded and specifically optimized user interface.

ERA II Medieval Legends contains: 10 flutes, 8 reed instruments, 4 war horns, 3 brass instruments, 9 bowed strings instruments, 13 plucked strings instruments, 3 keyboards, 20 percussion instruments & 1 singing voice.

ERA II pursues the goal of capturing the musical atmosphere and sound aesthetics of the medieval, porting these old times into the computer-based production environment. The carefully programmed user interface of the Engine-Player makes this library easy to use, allowing the sounds of ERA II to inspire and unfold the musician’s full creativity. ERA II is just like an exciting fantasy-novel, taking musicians and composers on a journey into dark and long forgotten times.

ERA II is well suited for different styles and genres ranging from medieval scores with authentically sounding instruments to fantasy-music, soundtracks and new-age-spheres. The sounds of ERA II are absolutely unique and cannot be found in any other library. It holds an overwhelming selction of instruments, sounds and soundscapes that provide musicians with a complete sonic compendium, leaving no sound to be desired.

The instruments in ERA II use extensive multisampling, dynamic layering, diverse articulations, round-robin and true-legato-samples. The library contains 25 gigabytes of sample data including all instruments and sounds of part one.

The Instruments

Brass: Cornetto, Natural Trumpet & Sackbut
Keys: Organetto, Spinet & Virginal
Percussion: Claps, Kettle Drum, Church Bells, Frame Drums, Hand Drums , Snares, Tambourines
Bowed Strings: Bowed Psaltery, Fidule , Nyckelharpa, Viola de Roda, Fiddle Grooves, Hurdy Gurdy Chanters & Grooves, Tromba Marina, Viola da Gamba
Plucked Strings: Baroque Guitar, Bass Citole, Early Renaissance Bray Harp, Early Renaissance Harp, Gittern, Gothic Harp, Langeleik, Medieval Lute, Medieval Psaltery, Psaltery (beaten), Renaissance Lute, Small Psaltery Plucked & Zither
Voices: Tavern Singers Shouts, Tavern Singers
Winds: 2 Holed Flute, Gemshorn, Traditional Soprano Recorder, Traditional Wooden Flute, Whistle, Wooden Transverse Flute, Renaissance Recorder (Alto, Bass, Soprano & Tenor)
Reeds: Bagpipes, Crumhorn (Alto, Bass, Soprano & Tenor), Shawms, Bombarde, Chirimia
War Horns: Anyafil Calls, Anyafil, Celtiberic War Horn, Shofar Calls, Shofar & War Horn

The Recordings

Recordings for ERA II took place in several selected spanish studios, such as Madrid’s Infinity Studios as well as Eldana Studios in Dueñas, just to name some. Also, numerous talented musicians contributed their skills to the project, like Rinaldo Valldeperas (crumhorns, shawms, renaissance soprano recorder), Efren López (Gittern, Bass Citole, Medieval Psaltery, Medieval Lute), Cecilia Nocilli, Lorena Porres and many others.

All instruments and voices were recorded using a Neumann U87 microphone being accompanied by selected high-quality preamps from manufacturers such as Avalon and Neve. The instruments were intentionally captured with close mic techniques avoiding unwanted room information to give users full control over the following sound shaping process and added effects.

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